there's something about sketching someone in the quiet hours — catching the way light falls on their cheek, the slight curve of their mouth when they're not trying to pose. i think that's when you really see them. that's the version i want to keep.
there's something about sketching someone in the quiet hours — catching the way light falls on their cheek, the slight curve of their mouth when they're not trying to pose. i think that's when you really see them. that's the version i want to keep.